Only a few minutes of his footage, showing parties, San Francisco street scenes, and O’Neal standing atop Coit Tower, ended up in the film, but Stein realized that O’Neal’s recordings were valuable artifacts of San Francisco gay history. Then, in the mid-nineteen-nineties, a San Francisco filmmaker, Peter Stein, put an ad on local television soliciting historic footage for a documentary he was making about the Castro, and O’Neal responded. O’Neal’s home-movie collection spent decades in obscurity, as home movies often do.
